18-23 OCT   A CORUÑA

Blanca Rego

Wohlgemeynte

Digital
color
1'
Spain
2011
Made from the material found in a failed scanning from an old manuscript. The digital glitch turns the text into something incomprehensible. What we can hear, it's just digital reading, also incomprehensible, from those pages. [ × ]

A Singing Comet

Digital
color
2'
Spain
2015
Generated from data sonification from the Rosetta comet. What we can see is the data from some audios turned into images without using any random display process. Just simply put, saving one archive format from another [ × ]

The Great Machine 1

Digital
color
Loop
Spain
2016
Generated from an artistic call using procedures of data blending, like an ironic commentary about the works created, precisely designed to participate in these calls. [ × ]

Komorebi

Digital
color
5'
Spain
2015
“Komorebi” is an untranslated Japanese word that means “the sun´s rays that filter among the trees´leafs”. Inspired by the diary of the artist named Brion Gysin, in which he explained that he had experienced a psycodelic trip while travelling on a bus, on a sunny day, towards a road surrounded by trees. [ × ]

Streetwalker

Digital
color
6'
Spain
2015
"Streetwalker” just means “the one who walks on the street”. It's an English word that could be associated to the word “prostitute”. Long time ago, when a woman walked alone on the street, it could only mean just one thing: that she was selling her body for money. [ × ]
The title makes reference to an old manuscript about the history of cinema that was never published. Light reflections on a wall remind us that the cinema is a way of art made of shadows of what we can see without being aparently present. [ × ]

Formicidae

Digital
color
1'
Spain
2017
A typical scene from the liminal mysteries of nature: a group of ants in the corner of a park [ × ]

Tximist

Digital
color
Loop
España
2015
A stormy night. However, what we hear is not the real storm, it is just the frames of the film, a list of images -the geographical space – sound – emotional space, transferring a crepusuclar space between conscience and unconsciousness. [ × ]

You Blinked

Digital
color
Loop
España
2016
A myriad of colours and geometrical shapes that remind us, filmakers, an old time. A flashing film with a deep strobe effect. [ × ]
Inspired from experimental movies with optical sound in which the frames can reproduce the soundtrack. The images are simply a lightbulb switching on and off. The sound is just the frames saved as a sound archive. [ × ]

Time-Space Compression

Digital
color
3'
España
2014
Our perception is fragmented, it never perceives the full image because of the world, and also ourselves, we are in constant change, full steam. We can only glimpse short fragments of the reality that surrounds us. [ × ]
The German noun “Hinterland” means “the land behind”. It is also used in English implying different meanings, all of them related to spaces that are surrounded or are behind other spaces. We are referring to the working table spent before making the movie. Built from 3669 photos taken from a table. [ × ]

Digital Materialism

Digital
color
Loop
España
2015
One day, I wondered if it was possible to make a materialistic film using only digital media. I took a picture without removing the cover plate from the digital camera. The picture was totally black, but when I enhanced the brightness to the maximum. From it, suddenly dead blue and white pixels appeared before me. I repeated the same action over and over, until the memory was fulled with 7,669 picutres. The result ends up in hypnotic loop that reminds me a sparkling sky, it is really different from those materialistic experimentations used in a movie. [ × ]

RGB Colour Model

Digital
color
5'
España
2016
Abstract animation based on the colour model RGB. The shapes move and overlap in a flasing shuffle expanding the limits of the screen and generate entoptic images, visual effects whose source are our own very eyes [ × ]
Silence is a live wire. Chaos is made of gold and the eyelids can notice it. However, when I see, I am leaving. ¿How? ¿How can I see? With ease. Still the eyelids. Still made of gold. I can still see it. ¿How can I still see it? But When I see it, I keep walking. Chaos prevails. [ × ]

Psycho 60/98

Dixital
color
6'
España
2016
Psycho (1960) by Alfred Hitchcock and Psycho (1998) by Gus Van Sant clashing through editing frame by frame that conquers the eyesight and murders the conscience from the viewer. [ × ]