Tatiana Macedo develops her work through formats like installation, sound, photography, or cinema, understanding her processes under the logics of the expanded field. Moving between the poetic and the conceptual, her work embraces the borders to place itself on the space of the real, reflecting upon our own conducts from a transversal point of view. Her discourse crosses through identity, postcolonial studies, the construction of History, and the intersections of the political and the social. All of which is done by the use of an aesthetic language that transits between the technical control and the fluency of abandoning oneself to the camera.